A selection of films in which paintings play an important narrative role. What is decisive here is that the paintings featured in the films are crucial in driving the narrative forward and are not just used for background effect.
The Impossible (Egypt 1965 Hussein Kamal)
A domestic drama that employs painting “as a storytelling device” in that the film’s action is commented on by “the paintings on the walls” of the characters’ drawing- and bedrooms, thereby creating a series of “striking visual comment[s]” as they move through them (McIver 220).
Barry Lyndon (UK 1975 Stanley Kubrick based on William Makepeace Thackeray’s 1844 novel The Luck of Barry Lyndon though the film is set in the 1750s, 60s and 70s).
One of the first films subjected to an analysis of its painterly style soon after its release, the film references 18th century paintings by among others Gainsborough (exteriors: peopled landscapes) and Constable (exteriors: landscapes without people), Georges de la Tour (interiors: candlelight) and Hogarth (interiors: satirical domestic) see
By loading the video, you agree to YouTube's privacy policy.
Learn more
Source: You Tube by Laurent de Béchade
By loading the video, you agree to YouTube's privacy policy.
Learn more
Source: You Tube by zapillofilms
[above all 3:40—4:13]
The music video for Queen’s “You’re My Best Friend” (A Night at the Opera 1975 written by John Deacon) with its gigantic ballroom and glittering chandelier hanging from the ceiling was like the interiors for Barry Lyndon shot at Elstree Studios in London see the instantly recognizable candles from the film:
By loading the video, you agree to YouTube's privacy policy.
Learn more
Source: You Tube by Queen Official
Barry Lyndon sourced lighting candlelight sequence where thanks to the use of newly developed camera lenses, the sole source of light are the lit candles:
By loading the video, you agree to YouTube's privacy policy.
Learn more
Source: You Tube by Misesian
[to 3:10]
An American in Paris (US 1951 by Vincente Minnelli)
Each of the sets of the 17-minute ballet sequence towards the end reflects in turn the style of the French Impressionists Dufy, Manet, Utrillo, Rousseau, van Gogh and Toulouse-Lautrec.
Schalcken the Painter (UK BBC 1979 horror film by Leslie Megahey)
Adapted from J Sheridan Le Fanu’s 1839 gothic tale “Strange Event in the Life of Schalken” (sic), the film deals with the work of the 17th century Dutch genre and portrait painter Godfried Schalcken 1643-1706. The influence of Vermeer can be seen in the lighting and set design.
The Age of Innocence (US 1993 by Martin Scorsese based on the novel of the same name by Edith Wharton published in 1920)
Numerous paintings can be glimpsed by both the protagonists as well as we the cinema audience >>
There are five paintings alone as we see Newland Archer navigating the drawing rooms in the Beaufort mansion:
The Duel after the Masquerade Ball by Jean-Léon Gérome (1857), Le Printemps/The Return of Spring by William-Adolphe Bouguereau (1886), L’Ambitieuse/Political Woman by James Tissot (1885), Hush! (The Concert) by James Tissot (1875) and Too Early by James Tissot (1883).
Mountain Scene by Albert Bierstadt (1880), Gallery of the Louvre by Samuel F.B. Morse (1833) and The Death of Jane McCrea by John Vanderlyn (1804) are all seen by Archer in the corridor of Mrs. Mingott’s house.
Apotheosis of Henry IV and the Proclamation of the Regency of Marie de Medici by Peter Paul Rubens (1624) contemplated by an aged Archer in museum.
The Icebergs by Frederic Edwin Church (1861)
Archer congratulates his daughter on her engagement.
Sphinx by Franz Rohrbeck (N/A) and Ruines de la Mosquee du Calife Hakem au Caire by Prosper Marilhat (1822)
Same drawing room with May Welland.
The Fighting Temeraire by William Turner (1839)
Archer waiting for Countess Olenski. See start of this section!
Expectations by Sir Lawrence Alma-Tadema (1885)
Archer and May Welland talking with Mingott. Also ‘reproduced’ as a shot in the film.
The Sphinx or The Caresses by Fernand Khnopff (1896)
Dialogue between countess Olenska and Archer.
An unidentifiable portrait of a dog very similar to a few canine portraits by George Stubbs as well as one or two ‘after’ him. Archer, May Welland and Mrs. Welland in Mrs. Mingott’s living room with her surrounded by dogs.
For interpretations of how and why some of them are used see
https://paintingsinmovies.com/?s=The+Age+of+Innocence
https://paintingsinmovies.com/page/2/?s=The+Age+of+Innocence
https://soniassees.wordpress.com/2016/07/04/age-of-innocence-1993/
https://www.jstor.org/stable/43516056
Finally, The Age of Innocence is an oil on canvas painting by Joshua Reynolds (1785 or 1788)
Uncovered (UK/Spain 1994 Jim McBride)
Based on the novel La table de Flandes / The Flanders Panel (1994) by the Spanish writer Arturo Pérez-Reverte. The art restorer Julia discovers a hidden message underneath the paint of the 15th century portrait of a woman and two men playing chess she is working on: Qvis Necavit Eqvitem, “Who killed the knight?” This points to the murderer of one of the characters in the painting, a forefather of the painter’s owner, and this mystery soon has its equivalent in the present when the people involved in Julia’s research are also murdered. In the novel the painting is identified as The Game of Chess oil on wood by the Flemish painter Pieter Huys (1471) yet while Huys did exist he never completed a painting with this name.
The Stendhal Syndrome (Italy 1996 horror film by Dario Argento)
Inspired by the 1989 book of the same name by the Italian psychiatrist Graziella Magherini, which in turn is based on the French writer Stendhal’s experience in the Santa Croce church in Tuscany in 1817, namely a debilitating psychosomatic illness affecting people when they are exposed to works of art. In the film this happens to Detective Anna Manni when she enters a museum, which leads to her being kidnapped by the very serial killer she had gone to Florence to catch.
The Thomas Crown Affair (US 1999 heist film by John McTieman)
Featuring paintings by Monet, Manet, van Gogh, and Pissarro. There is one painting in the style of Cassius Coolidge’s dogs playing poker series, and René Magritte’s The Son of Man from 1964 can be seen several times, above all in the final robbery sequences see
https://www.sartle.com/blog/post/the-thomas-crown-affair-step-1-be-attractive
Le Tableau / The Painting (France/Belgium 2011 computer animated film by Jean-Francois Laguionie)
Set within the borders of an unfinished canvas with characters fully drawn and colored, partially completed and only in rough design. There are possible influences here of Matisse, the Fauves, Picasso, Chagall, Modigliani, Manet, Andre Derain, and Bonnard.
L.A.Story (US 1991 Mike Jackson)
One sequence takes place in the Los Angeles County Museum of Art against the backdrop of what looks very much like an (albeit unnamed) Mark Rothko red painting (50:30) see also 50:09-50:20 for a hockney-esque pool painting and weatherman Harris K. Telemacher rollerskating past a Velázquez Pope Innocent X, a Munch Scream and some Van Gogh Sunflowers at 28:55-29:21:
By loading the video, you agree to YouTube's privacy policy.
Learn more
Source: You Tube by Free Films Emotion
Ferris Bueller’s Day Off (US 1986 John Hughes)
High school student Ferris Bueller wants a day off from school so he talks his shy and neurotic friend Alan into taking his father’s Ferrari. Together with his girlfriend Sloane they go to Chicago for the day, starting out at the city’s Art Institute in a sequence that turns into a metadiscourse on the similar affects painting and film can produce in us:
By loading the video, you agree to YouTube's privacy policy.
Learn more
Source: You Tube by iomelinamela
It is a 29-shot montage sequence including paintings by Picasso, Hopper’s Nighthawks, Rodin’s bronze Portrait of Balzac sculpture, Marc Chagall’s stain glass American Windows. The last twelve shots then show Alan standing in front of and staring at Georges Seurat’s 1886 Sunday Afternoon on the Island of La Grande Jatte. There is no dialogue, only the unsourced music of the Smiths “Please, Please, Please Let Me Get What I Want” in an instrumental version by Dream Academy and shot-counter shot between Alan and the little girl in the dead centre of the painting. The director himself explains the personal significance of the gallery, its relevance for the characters, and in particular that he always considered pointillist painting “sort of like making a movie” where the painter has no idea what they’ve done until they step back from it. Alan establishes some kind of connection between himself and the girl: “The closer he looks at the little child the less he sees, of course with this style of painting. The more he looks at it, there’s nothing there.” And this could very well be what Alan wonders about himself: “I think he fears that the more you look at him, the less you see, there isn’t anything there.” And so the final four shots of the girl where she becomes increasingly then virtually invisible—“That’s him.”
Anamorph (US 2007 by Henry S. Miller)
Willem Defoe plays the reclusive detective Stan Aubray, drawn to investigate the murders of a serial killer whose case reminds him of one he himself worked on a while back. With the use of human bodies, the killer is employing anamorphosis, a painting technique that deliberately distorts the laws of perspective, for example with an anamorphic lens, to create two competing images on a single canvas. The film’s final shots [1:37:00-1:38:35] appropriately have Aubray dying in a chair like in one of Francis Bacon’s 50 or so equally distorted versions of Velázquez’ Portrait of Innocent X (1650) see link for Study after Velázquez’ Portrait of Pope Innocent X from 1953:
Das große Museum (Austria 2014 documentary by Johannes Holzhausen about everyday life in the world famous museum of art history in Vienna)
The National Gallery (France/US/UK 2014 film essay documentary by Frederick Wiseman about the most visited art gallery in the world)
Francofonia (France/Germany/Netherlands 2015 by Alexander Sokurov about the Louvre in Paris during the Nazi occupation)
Beltracchi – Die Kunst der Fälschung (Germany 2014 documentary by Arne Birkenstock about the art forgers Wolfgang and Helene Beltracchi, responsible for one of the biggest postwar forgery scandals)
El sol del membrillo / The Quince Tree Sun / Dream of Light (Spain 1992 by Victor Enrice and the Spanish painter Antonio López García 1936- , who plays himself attempting to paint the eponymous tree growing in his studio’s backyard)
Tatsumi (2011 by Eric Khoo)
Based on the manga memoir A Drifting Life and five earlier short stories by the Japanese manga artist Yoshihiro Tatsumi 1935-2015. A Singapore production with Japanese dialogue animated in Indonesia.
Gerhard Richter Painting (Germany 2011 by Corinna Belz Painter at Work)
RECREATIONS OF HOPPER
Herbert Ross’ 1981 Pennies from Heaven does one of the painter’s Nighthawks (1942):
By loading the video, you agree to YouTube's privacy policy.
Learn more
Source: You Tube by Bart Lewinsky
In Wim Wenders’ The End of Violence (US 1997) we witness a film crew shooting a live recreation of the same painting:
By loading the video, you agree to YouTube's privacy policy.
Learn more
Source: You Tube by Blair Waldorf
Further information: http://www.academia.edu/3982949/_The_Role_of_Memory_Image_Place_and_Story_in_the_Films_of_Wim_Wenders
Shirley: Visions of Reality (Austria 2013 by Gustav Deutsch)
Edward Hopper (1882-1967) took his inspirations from among many other things the cinema and above all cinematography of his time, for example in his use of light and shadow. In turn his paintings influenced individual sequences and/or the whole ‘feel’ of a variety of films. Perhaps the most famous from numerous examples is the Bates Motel in Hitchcock’s Psycho (1960), which quotes Hopper’s 1925 oil painting House by the Railroad. In Shirley: Visions of Reality Viennese filmmaker, architect and experimental artist Gustav Deutsch recreates thirteen of Hopper’s oil paintings as vignettes that come to life, three-dimensional scenes. The story follows the fictional life of the eponymous red-haired New York actress by means of news clips, music and poems as she takes us through the life, wars and social history of the USA between 1931 and 1963. We see Shirley for the first and last time in a train reading a volume of poems by Emily Dickinson in a reproduction of one of Hopper’s final paintings, 1965’s Chair Car. See first link for Hopper/Hitchcock, second for Shirely‘s website:
http://theartofilm.blogspot.de/2013/06/reel-connection-hitchcocks-inspiration.html
http://www.shirley-visions-of-reality.com
More Wenders/Hopper: The Swiss Fondation Bayerler’s spring 2020 exhibition showed works by the painter accompanied by Wenders’ supporting 3-D short Two or Three Things I Know about Edward Hopper
By loading the video, you agree to YouTube's privacy policy.
Learn more
Source: You Tube by FondationBeyeley
Final Portrait (UK 2017 Stanley Tucci with Geoffrey Rush as the Swiss modernist sculptor, graphic artist and painter Alberto Giacometti 1901-1966)
Set in the Paris of the 1960s the film depicts Giacometti’s attempt to paint a portrait of his friend the young writer and art lover James Lord as he sits and poses for him.
The Dutch Master (US 1995 short film by Susan Seidelman)
About Teresa the dental hygienist, who stares fascinated at a painting reminiscent of Dutch painter Pieter de Hooch’s Woman Drinking with Soldiers (1658) in the New York Metropolitan Museum of Art until one day its scenery and characters come alive and she enters the world of the painting. Not only does Teresa end up reversing the male gaze there
the painting also enables her to escape a potentially stifling marriage, providing her with a space in which to indulge her auto-erotic fantasies:
Both shots with the kind permission of Christian Stollwerk of ZIEGLER FILM GmbH & Co. KG
Director Susan Seidelman on the de Hooch original on which the painting in the film is modelled:
My husband Jonathan Brett—who co-wrote and produced The Dutch Master—and I had committed to living in Paris for a year because I was set to direct a feature for Polygram, a company that unfortunately went bankrupt. So we were kind of in a funk over there, and probably thinking about various ways of escaping our reality, when we went to the Louvre and saw this painting by Pieter de Hooch. A great thing about Dutch Master paintings is how they have rooms within rooms; there’s the main space, but there’s often a door suggesting something happening in the space beyond. We thought, wouldn’t it be interesting to go into that painting and through that door?
The painting is characteristic of de Hooch’s deep-set, sparsely furnished rooms with open doors and windows and different light effects from the evenly distributed soft daylight to the stark shadow contrast that lends the scene its vitality. The strong colours de Hooch likes to employ appear here in a remarkable luminosity (Stukenbrock/Töpper 474—75). The version in The Dutch Master is described by the museum guide as a simple late afternoon domestic scene “see the strong, warm beam of light. A statue of Mercury is on top of the cabinet in the room into which the door leads—the significance of which is anybody’s guess…”
Source: Wikimedia Public Domain
From the same interview on voyeurism:
But as a director, as a filmmaker—I’m kind of a voyeur. That’s part of the job. You get to look in and explore all different kinds of worlds that you don’t necessarily participate in. That’s really what movies are: we go to watch other people doing private things on the big screen. So the idea of a woman going into the world of a painting was erotic to me. For contrast, I wanted to make her “real” life as antiseptic and sterile as possible, which is why I made her a dental hygienist working in an office that was very cold and chrome, while the world inside the painting was lush, dark, and sensual. The colors, the set design, the costumes; everything was about creating a difference between her real life and fantasy life.
http://thehollywoodinterview.blogspot.com/2009/11/filmmaker-susan-seidelman-above.html
Bean: The Ultimate Disaster Movie (UK/US 1997 by Mel Smith)
Trying to make amends for sneezing on James McNeill Whistler’s Arrangement in Grey and Black No.1/Whistler’s Mother (1871), Mr Bean only makes matters worse:
By loading the video, you agree to YouTube's privacy policy.
Learn more
Source: You Tube by Mr Bean
But there is a conciliatory ending when he is called upon to give a speech about the painting. He admits that by staying with his best friend David Langley and his family, he has learned that “families are very important. Mr. Whistler … took the time to paint this amazing picture of” someone “he thought the world of. And that’s marvellous”:
By loading the video, you agree to YouTube's privacy policy.
Learn more
Source: You Tube by Mr Bean
Miles Ahead (US 2015 biopic by and staring Don Cheadle in the lead role)
Jazz trumpeter, flugelhorn player, composer, bandleader and style icon Miles Davis was also a painter. His work is now curated by family members like his L.A.-based musician/producer son Erin.
By loading the video, you agree to YouTube's privacy policy.
Learn more
Source: You Tube by Miles Davies
Set Decorator Helen Britten revealed that all the artwork was inspired by Miles’ style (the artists used are thanked in the closing credits) and that Set Decorating Buyer Andrea Doyle was responsible for the painting Davis can be seen working on of a bullfighter featured on the easel in his home:
https://www.setdecorators.org/?art=film_decor_features&SHOW=SetDecor_Film_MILES_AHEAD
See also
https://auralcrave.com/en/2018/12/27/the-hidden-face-of-genius-the-paintings-of-miles-davis
https://magazine.artland.com/the-other-miles-davis-the-paintings-of-the-jazz-prince-of-darkness
The Eyes of Orson Welles (US 2018 biographical documentary by Mark Cousins)
An essay film much like Welles would have made himself (and did, for example F is for Fake), his daughter Beatrice Welles granted Cousins exclusive access to the rarely seen hundreds of private drawings, cartoons, films storyboards, paintings, character sketches, set designs, doodles, illustrations and even Christmas cards he produced for family and friends that he left behind after his death in 1985 many of which appear in the film. See below for a gallery of his works:
Woman Walks Ahead (US 2018 by Susanna White)
Based on true events, the film tells the story of the New York widowed artist and Native activist Catherine Weldon, who in the 1880s travelled alone to Standing Rock/North Dakota to paint a portrait of Chief Sitting Bull; she ended up completing four in oil.
Jim Carrey I Needed Color (US 2017)
By loading the video, you agree to YouTube's privacy policy.
Learn more
Source: You Tube by cheesecakerulez
The Goldfinch (US 2019 by John Crowley)
The 13-year-old Theo loses his mother as a result of a terrorist attack in New York’s Museum of Modern Art. He manages to save from the wreckage a painting, which he conceals where he lives: The Goldfinch, by one of Rembrandt’s pupils, Carel Fabritius. The film version of Donna Tarrt’s 2014 Pulitzer Prize-winning novel of the same name is the story of a traumatised teenager whose fate is closely linked to secretly possessing this famous painting.
The Limits of Control (US 2009 by Jim Jarmusch)
A mysterious loner only ever identified in the end credits cast list as Lone Man is in the process of completing a criminal assignment. He visits the Museo Nacional Centro de Arte Reina Sofia in Madrid on several occasions. Each time he observes/studies just one painting then disappears again. The paintings are
-The Cubist The Violin (1916) by Juan Gris (one of the reasons he goes to Madrid in the first place)
–Nude (1922) by Roberto Fernández Balbuena
–The aerial view of the Spanish capital Madrid desde Capitán Haya (1987-1994) by Antonio López
-Arte Povera painter Antoni Tapies’ Gran Sábana/Gran Ilenco (Large Sheet 1968), a white sheet stuck onto a white canvas, slightly crinkled at each corner, possibly suggesting a cinema screen and the concomitant ability of film images to indicate depth as the two-dimensionality of the painted image is overturned in this interplay between painting and cinema.
Each of the four paintings above is visually linked to sequences in the film, for example while waiting for a man with a violin case Lone Man stands in front of The Violin, and before meeting a mysterious woman naked on his hotel room bed he has been told to wait for it is Nude which gets his complete attention. They also form part of an ongoing discourse on the relevance of art. First there is the conversation about Bohemians with the Guitar Man at 1:03:10ff, who on looking at a group of youngsters wonders whether they could still be called bohemians. The comment may at first hearing appear deprecatory yet he then manages to admit that bohemians are in fact “very often the true artists.” This conversation then links up to the sequence right at the end of the film where Lone Man penetrates the heavily guarded fortress of the Donald Trumpian Target. He tells Lone Man his sort don’t understand how the world really works and that their “sick minds have been polluted with crap. Your music, movies, science … bohemians on hallucinogenic drugs. All that shit has poisoned you. And it has nothing to do with the real world” (1:30:50). The way the paintings are woven and integrated into the filmic text proves the exact opposite, namely that art is extremely relevant to the real world. Highly appropriately, the Target is finally strangled to death with a guitar string.
In The Limits of Control “what we have is not a reconstruction of a painting, but the depiction of paintings within the film and film frames structured like a painted canvas.” We ourselves as viewers are “invited to take a close look into the artwork through the eyes of Lone Man, within a new context.” Jarmusch’s character is ultimately one who “views the world through paintings; in addition, the filmmaker creates painting-like frames” see
https://interartive.org/2009/12/jarmusch-godard
Melancholia (Denmark/Sweden/France/Germany 2011 by Lars von Trier)
For the film’s use of paintings see Kirchner as well as the first link below. The second link also includes Antichrist (2009), Nymphomaniac (2013) and The House that Jack Built (2018):
https://cakeordeathsite.wordpress.com/2019/11/13/the-paintings-of-melancholia
https://papiroandmint.wordpress.com/2017/01/30/lars-von-triers-paintings-references
The Postcard Killings (US 2020 by Danis Tanovic based on the crime novel of the same name published one decade earlier written by the Swedish writer Liza Marklund and the American author James Patterson)
In The Postcard Killings the sibling killers always send a museum postcard to a local journalist prior to committing each murder, at which point the killers drain their victims’ blood before arranging the bodies in grisly poses to match paintings (Goya, Caravaggio, Munch and Bougureau) or sculptures (Canova and Rodin) from the very museum that was on the postcard tipping the journalist off:
Saturn Devours Its Children by Goya
Doubting Thomas by Caravaggio
The Scream by Edvard Munch
Amor and Psyche by Antonio Canova
The Kiss by Rodin
Dante and Virgil by William-Adolphe Bougureau
An unidentified beheading of John the Baptist (murder planned but not carried out)
Modigliani a woman lying naked (murder thwarted) such as his 1917 Lying Nude (on the left side)
Note:
While Midnight in Paris (US/Spain 2011 by Woody Allen) features appearances by Rodin, Cocteau, Picasso, Dalí, Ray, Bunuel, Lautrec, Gauguin and Degas there is only one extreme long shot of actual paintings, Monet’s Nymphéas / Water Lilies in the Musée de l’Orangerie.
Talking of water lilies…
Titanic (US 1997 James Cameron)
Rose and Jack discuss one of Monet’s Water Lilies (1905) from his eponymous series (of 250 paintings in all!):
https://in.pinterest.com/pin/832180837388927108
Rose often mentions what she likes about her art collection. Shown in both wide and close-up shots, the painting is admired by both of them:
J: Look at his use of colour here, isn’t he great?
R: I know, it’s extraordinary.
Rose collects art and Jack creates it, thereby enabling them to overcome the upper/lower class barrier.
https://www.youtube.com/shorts/1ndxXAdfep4
In addition, Rose can be seen holding Les Demoiselles d’Avignon (1907) in a deleted sequence from the start of the film. Her maids carry her collection of modern art into the suite. “Who’s the artist?” one of them asks. “Something Picasso,” Rose answers.
By loading the video, you agree to YouTube's privacy policy.
Learn more
Source: You Tube by okidokivideos
For the whole question of which paintings went down with or survived the sinking of the real Titanic see
Amèlie (France 2001 by Jean-Paul Jeunet)
Every year Amélie’s hermit-like artist neighbour Raymond Dufayel paints a reproduction of Renoir’s 1881 Le déjeuner des Canotiers (Luncheon of the Boating Party):
By loading the video, you agree to YouTube's privacy policy.
Learn more
Source: You Tube by Efanfasn video
For a thorough analysis of the role Renoir’s painting plays see
https://www.dailyartmagazine.com/luncheon-of-the-boating-party-in-the-movie-amelie
26 Responses
Hi everyone, it’s my first visit to this web page, and the piece of writing is genuinely fruitful for me. Keep posting these articles or reviews!
I believe that is among the most vital pieces of information for me. I’m satisfied studying your articles and would like to make a statement on a few things. The site taste is perfect, the articles in reality excellent :). Just the right activity, cheers
I would just like to thank all of you for your kind comments and wish you many more hours of pleasure on this site!
Amaazing!! So glad to have found your page 🙂 Thank you so much!!
Have you thought also about, ‘I paint’ by Thijme Termaat? It is a bit like William Kentridge, but in another way.
Hello Blurred Dream,
yes, nice suugestion and here it is plus the painter himself in a mini documentary: Thanks a lot!
https://www.youtube.com/watch?v=Ozc6t4KwEko
Source: You Tube by Thijme Termaat
https://www.youtube.com/watch?v=sHAQVqEkYHU
Source: You Tube by Een Vandaag
This text is worth everyone’s attention. Where can I find out more?
Check out my Bibliography and thanks for asking!
Paul Davies
I must thank you for the efforts you have put into penning this blog. I am hoping to see the same high-grade content by
you in the future as well. In fact, your creative writing abilities has motivated me to get my own, personal website now 😉
A
I do believe all the ideas you’ve offered on your post. They are really convincing and can definitely work. Nonetheless, the posts are too short for beginners. Could you please extend them a bit from time to time? Thank you for the post.
A bit of a perennial problem I do admit, an inbalance between the differeing lengths of contributions. I am aware of and working on it though it’ll take time to redress. Thanks for the comment!
My spouse and I absolutely love your blog and find nearly all of your posts to be what precisely I’m looking for. Does one offer guest writers to write content for you personally? I wouldn’t mind publishing a post or elaborating on a number of the subjects you write with regards to here. Again, awesome website!
Yes, I do allow guest writers to write content for the website. Just contact me again the same way, I receive emails on my account and can then answer them personally, thanks!
Hiya! I know this is kinda off topic however , I’d figured I’d ask. Would you be interested in exchanging links or maybe guest authoring a blog article or vice-versa? My website addresses a lot of the same subjects as yours and I believe we could greatly benefit from each other. If you happen to be interested feel free to send me an email. I look forward to hearing from you! Excellent blog by the way!
Simply contact me again by email and I’ll get back to you!
Paul Davies
Simply wish to say your article is surprising. The clarity is simply spectacular and I can assume you are a professional on this subject. Thanks a million and please keep up the rewarding work.
This is the right website for anyone who hopes to find out about this topic. You understand so much it’s almost hard to argue with you (not that I personally would want to…HaHa). You definitely put a new spin on a subject that’s been discussed for years. Great stuff, just great!
We are a group of volunteers and opening a new scheme in our community. Your website provided us with valuable info to work on. You’ve done a formidable job and our entire community will be grateful to you.
You’re so interesting! I don’t suppose I’ve read through anything like this before. So great to discover someone with a few genuine thoughts on this subject. Seriously, thanks for starting this up. This website is something that is needed on the web, someone with a bit of originality!
Wow! This can be one of the most helpful blogs we have ever arrived at on this subject. Basically excellent. I’m also a specialist in this topic and can therefore understand your hard work.
Wow, amazing blog layout! How long have you been blogging for?
You made blogging look easy. The overall look of your website is magnificent, let alone the content!
You need to be a part of a contest for one of the most useful blogs online. I’m going to highly recommend this website!
Excellent goods from you, you are just too great. I actually like what you have acquired here, certainly like what you’re saying and the way in which you say it. You make it enjoyable and you still take care to keep it smart. I can’t wait to read far more from you. This is really a wonderful site.|
Simply wish to say your article is astonishing. The clearness on your post is simply excellent: I think you’re a professional in this subject. Well, together with your permission let me grab your feed to stay up to date with forthcoming posts. Thank you a million and please keep up the gratifying work.|
Right here is the perfect website for anybody who hopes to find out about this topic. You know so much its almost tough to argue with you (not that I actually would want to…HaHa). You certainly put a fresh spin on a topic that has been discussed for many years. Great stuff, just wonderful!|
Can I simply just say what a relief to discover an individual who truly knows what they are discussing on the net. You certainly understand how to bring an issue to light and make it important. More people have to check this out and understand this side of the story. I can’t believe you are not more popular because you certainly have the gift.|