Miami Vice “The Lost Madonna”, season 5 episode 14 first broadcast 17 March 1989
Two paintings which were part of the 15th century triptych The Madonna of the Spirits are found in a pick-up truck instead of the expected drug haul. The centerpiece, The Madonna, is still missing but is eventually tracked down. The episode both playfully and seriously examines the various role and values of art. For example, Lucy Lammermoor is said to be the artist who created an all-white ‘painting’ which in the eyes of the NYPD art thefts unit expert called in to help recover the lost centerpiece represents “a search for the purest possible form… the painter here is engaged in a sort of aesthetic mysticism” to which detective Crockett replies “Yeah, I’ll say it’s pure. It’s so pure I can’t even find it.” It is, in fact…..
Source: YouTube by OffTheAirr
In addition, Lucia di Lammermoor is actually a tragic opera by the Italian composer Gaetano Donizetti first performed in 1835. The tragic ending for the main prima donna does, however, parallel that of one of the episode’s characters, Julia: Lucy dies, Julia is arrested. Yet the episode is by no means a philistine rant against art but a metadiscourse on it. The twisting faceless figures of paintings by the Los Angeles (pop) artist and composer Mark Kostabi (1960- ) can be seen, some highly unusual works of art (and camera angles) are on display at a party, and The Madonna of the Spirits itself is cheekily impressive. Neither does the episode shy away from thematizing the link between commerce and art—even in its more criminal manifestations. In the end, the episode itself with its cinematography, lighting and seamless use of unsourced music to comment on and reflect the mood—Tanita Tikarem’s “Twist in my Sobriety” at the party and “She’s waiting” by Eric Clapton for the final chase—comes across as a work of art as indeed does the whole Miami Vice series with its pastel colours, neon-inflected night streets, designer fashion and art deco buildings. Those parts of the episode featuring Kostabi’s paintings have been edited together at
Source: YouTube by Arte in TV.
Gilmore Girls, “The Festival of Living Pictures“, season 4 episode 7 first broadcast 4 November 2003. The episode won an Emmy for Outstanding Makeup for a Series (non-Prosthetic). It is decided to host “a show which presents on stage recreations of famous works of art – statues, paintings etc – with real people posing as the figures in the art” (6:10—6:20). The episode can be watched at
First of all we see Girolamo Parmigianino’s Portrait of a Young Girl Named Anthea (1524—27 original title merely Anthea) hanging on the stage in a gold frame which is part of a (possibly) gauze screen behind which Rory is posing as Anthea. Next we have Leonardo’s Last Supper (35:00—35:00) where the twelve disciples form a tableaux vivant, again behind a screen. The one sculpture in the quartet is Nicolas Poussin’s The Reaper (1679), and appropriately for a statue that stands in the Gardens of Versailles this version (39:00—39:55) is slowly rotating on its pedestal in the outside garden pavilion (the theatre where all this is taking place is obviously open at the back). The finale is provided by Dance at Bougival (1883) by Pierre-Auguste Renoir (41:52—42:41) with Renoir’s friends Suzanne Valadon and Paul Auguste Lihote doing the dancing in the original. Here (and not behind a screen) Lorelai’s head as Valadon is sticking through the canvas like some sort of funfair attraction. The baby pager unfortunately goes off but Lorelai takes one of the audience member’s pieces of advice to stay frozen till the end! See also
An annual “living pictures” 90-minute art performance entitled The Pageant of the Masters takes place in Laguna Beach, California. The festival has in turn been referenced by two TV episodes. “In God We Trust” from Arrested Development (season 1 episode 7) where the festival is seen to take place in Orange County) almost exactly reproduces God’s gesture of reaching out to touch index fingers with Adam from Michelangelo’s The Creation of Adam, part of his series of Sistine Chapel Genesis paintings. And in “Pageant of the Masters” from the Reality TV show Somebody’s Gotta Do It (season 1 episode 5) host Mick Rowe plays Bartholomew from (again!) Da Vinci’s Last Supper see
Source: You Tube by Dana Robinson
“The Art of the Television Series” was an international conference organized by the School of Communication at the University of Navarre/Spain 9-10 February 2017. Its self-declared aim according to the conference overview was to explore the relationship between television series and the arts, connecting contemporary TV series to other artistic fields such as architecture, sculpture, and painting. Interaction between TV programs and the arts involves the frequent use of pre-existing artistic objects in TV fiction, and the arts can also be found in TV series through the different contributions of artists to television sets and soundtracks. Photography, special effects, interior design, costume design and music offer other interesting lines of research. Sometimes these two types of interaction appear together as when contemporary artists draw their inspiration from pre-existing artworks.
By way of example, the conference stressed its interest in artistic achievements such as landscape constructions (Fargo, True Detective or Game of Thrones), fashion design in historical productions (Downton Abbey, Deutschland 83), sculptural recreations of human and animal bodies (Bones, CSI Las Vegas or Les Revenants), the Baroque still lifes in Breaking Bad, and the influence of painters like Botticelli in Hannibal, Pollock in Dexter and Hopper in Mad Men. In an attempt to merge content and form, the conference was held at the Contemporary Art Museum in the University of Navarre, surrounded by the paintings of Miró, Kandinsky, Picasso, Rothko and Chillida. The conference contributions included in particular:
“A Piece of TV or a Pretentious Art Film? Influences of Art in Hannibal.”
“Mad Men, Admen and Art.”
“Connotative Dimensions of the Japanese Folklore in a Family Story: Hirokazu Koreeda’s Going My Home.”
An edited version of my talk on “The Lost Madonna” from Miami Vice can be found right at the start of this section.